1961 NEB New Testament in Blue Morocco

Pushing fifty and rendered obsolete by an excellent revision, there's still something charming about the New English Bible. Maybe it's the text setting -- my favorite of all time -- but we'll get into that in a moment. For now, here's a fine example: a 1961 edition of the NEB New Testament bound in blue Morocco, still in beautiful shape. I found this recently on eBay and paid a whopping $10. Oxford/Cambridge NEB NT 7

About that text setting. I've written about it before (see "Design Case Study: NEB NT Paperback") and will no doubt return to it again. Why? Because it's the most satisfying single-column text setting of Scripture I have yet encountered. The proportions are elegant, the font choice is classic, the layout makes perfect sense. There's not much to fault here, if you ask me:

Oxford/Cambridge NEB NT 3

This is no pocket edition. It's larger than many thinline Bibles, measuring 6 x 9, and about an inch thick. Not ideal for carrying around, but quite nice for reading. Of course, the quality binding helps, too. It's sewn, naturally, and the paper is nice and thick, cream-colored and quite opaque, with gently curved corners. After all this time, the calfskin still feels great to the touch. And guess what? It opens flat.

Oxford/Cambridge NEB NT 4

There are some signs of wear: pencil marks inside, a bit of crushing on the bottom of the spine -- probably from standing on a bookcase with those slight semi-yapp edges. Still, after forty-seven years, it's perfectly usable. In fact, thanks to its design, it's a lot more pleasant to use than many of the whippersnappers available today.

Oxford/Cambridge NEB NT 5

I'm particularly impressed with the finishing inside. The lining doesn't appear to be leather, but it has an attractive pebbled surface that looks the part, and the edge is rolled neatly for a clean line. (Note: I shot the photo of the inside cover in fairly bright light to get a good focus on the details, and as a result the blue looks lighter than it does in life.) This thing isn't going to unravel anytime soon.

Oxford/Cambridge NEB NT 1

The grain up close is beautiful, and while blue isn't a color I've given much thought to, I find the execution quite refined here. Let's take one last look:

Oxford/Cambridge NEB NT 6

J. MARK BERTRAND

J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.

Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.

Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.

http://www.lectio.org
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Spanish Bible: "Dios Habla Hoy," Rebound by Abba Bibles